The Cover Art of Sgt. Pepper's Lonely Hearts Club Band

Neatorama presents a guest post from actor, comedian, and voiceover artist Eddie Deezen. Visit Eddie at his website.

It is the most famous rock album cover of all time: The Beatles' Sgt. Pepper's Lonely Hearts Club Band. One of the many things that still fascinate us about this incredible album is the cover. The concept for the cover was called "people we like."

According to artist Peter Blake, the designer of the iconic Sgt. Pepper cover: "In my mind I was making a piece of art rather than an album cover. It was almost a piece of theater design."

Blake continues: "I offered the idea that if they had just played a concert in the park, the cover would be a photograph of them with the group who had watched the concert. If we did this by using cardboard cutouts, it could be whomever they wanted."

Each of the four Beatles was told to compile a list of people they admired, and their choices would all be featured on the album's cover. Ringo, always the least pretentious of the four, declined right off the bat. "Whoever the others choose is okay with me," Ringo said.

John Lennon's off-kilter mind immediately came up with Adolf Hitler and Mohandas Gandhi. Hitler was immediately nixed for obvious reasons. But, incredibly, a paper cutout of Adolf Hitler was actually made and was there at the photo session on March 30, 1967. Legend has it that Hitler was actually in the final shot, but during the session, one of the Beatles stood in front of him, covering the camera's view. Gandhi got the axe by EMI executives, believing it would hurt album sales in the Far East.

George, "the mystic Beatle," of course, chose four Indian gurus. Bob Dylan was a clear choice by all the Beatles, who worshiped Dylan.

Fred Astaire was definitely a "Paul" choice. The legendary dancer was an easy sell and was reportedly delighted to be featured. However, despite Paul's initial assurance to EMI that all the requested "guests" would "love to do anything to please us," several of the chosen figures gave EMI more than a bit of difficulty. Shirley Temple asked to hear the finished product produced before giving her consent.

The Beatles all wanted Mae West to be on the cover, but she was apprehensive. "What would I be doing in a lonely heart's club band?" Mae asked. To placate the legendary sex symbol, all four Beatles wrote and signed a letter to Mae, and she finally agreed.

Leo Gorcey of The Bowery Boys was chosen to be featured along with his comic partner Huntz Hall. But Gorcey demanded the outrageous (!) sum of $400.00 to appear and he got the axe. It is still easy to see where Gorcey was airbrushed out on the final cover. Gorcey's Bowery Boys buddy, Huntz Hall, proved more cooperative, and can be found hovering in the top row.

Other no-shows include Bette Davis (in full Queen Elizabeth getup), whose cutout was there, but got blocked out by George's left shoulder. Albert Einstein, also, is mainly blocked out by John's right shoulder, and can barely be perceived.

Lewis Carroll, John's literary idol, is there. (Carroll, besides being a writing hero to John, was also the inspiration for Lennon's classic song "I Am The Walrus." John admitted that the song was inspired by Carroll's poem The Walrus and the Carpenter.)

Paul was to say they chose some of the figures because they liked their "groovy-sounding names" and gave Aldous Huxley and Karlheinz Stockhausen as examples.

The oddest choice? Well, maybe it was Sonny Liston, the boxer who was twice defeated by Muhammad Ali, who The Beatles had met in person a few years previously. Liston had attended a Beatles concert that same year (1964), hated the boys, and said, "My dog drums better than that guy" (referring to Ringo).

Most curious omission? Definitely Elvis Presley! Why no Elvis? I have never found an answer to this question in all the Beatles books and interviews I have read. Elvis was all four Beatles' supreme hero, especially in their early, formative years.

Many Beatles books state that Jesus Christ was an original candidate chosen by John Lennon. This is possibly not true. The Beatles were still stinging from John's famous "We're bigger than Jesus" remark of less than a year earlier and the repercussions from that statement. John suffered greatly from the huge backlash of his controversial comment during this period. Nonetheless, it is possible, although not probable, that the never-back-down Lennon still tried to opt for Jesus to be featured.

The most touching featured tribute was to the Beatles' former bandmate, bass player Stuart Sutcliffe. Stu died tragically in 1962, at the age of 21, from a head injury. Poor Stuart never lived to see all the band's future success. John always considered Stuart his best friend (besides Paul) and John was probably behind choosing Stuart to appear.



The cover was shot by photographer Michael Cooper on March 30, 1967. The four Beatles are seen wearing custom-designed military-style outfits made of satin dyed in Day-Glo colors. George and Paul can both be seen wearing their recently-awarded MBE medals. John was very ambivalent about the band receiving these medals, and declined to sport his MBE, choosing instead to don several generic medals he borrowed from the mother of former Beatle drummer Pete Best. The royal coat of arms of the United Kingdom can be seen on John's right sleeve. Paul is wearing a black Ontario Provincial Police armband.



Four wax dummies of The Beatles stand alongside the living members, these symbolizing the "old Beatles" sporting moptops and identical outfits.

Among several dozen male figures, just five females are present: besides the aforementioned Mae West and little Shirley Temple, actresses Marilyn Monroe, Marlene Dietrich, and Diana Dors are included. Jann Hayworth, the wife of Peter Blake who helped her husband with the album cover's original design, was to always regret the fact that more women weren't featured.

The Sgt. Pepper cover was to win a 1967 Grammy Award for Best Album Cover, Graphic Design.


*******

Editor's Note: In celebration of his 80th birthday, artist Sir Peter Blake has just unveiled his personal updated version of the Sgt. Pepper album cover. The artist himself is in the middle, surrounded by his own selection of celebrities. See if you can name them all.


wow, i never realised they did this cover with life-sized cardboard cutouts! i'd always thought it was made up of regular-size photographs, cut and pasted into a collage.

i've also always wondered who's idea it was to have Aleister Crowley in the picture (FYI, Crowley is in the top/back row, second from left. the grumpy-looking bald guy.)
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I must say, as a record collector myself... when Sgt. Peppers came out I had thought the album cover was terrible. It looked so cheap and "glued together"... something I thought both the Beatles and Capitol Records just gave to someone to throw together in a hurry.

BUT... a couple of weeks later, it grew on me. I started thinking about the cover and went back to see if could figure out who all the faces belonged to.

A few weeks passed and the rumors of Paul's death started swirling about. I remember hearing that "If you hold a mirror across the middle of the words "LONELY HEARTS" written across the center of the bass drum, you will see "IONEIX HEDIE". When arranged as "I ONE IX HE DIE," the image suggests the date (11-9, or November 9, 1966) that Paul died, as the diamond between the words "HE" and "DIE" points directly at Paul."

The album became even more fascinating, not just for me, but for everyone. I noticed that every time I walked into my neighborhood record store, someone was always standing in The Beatles section looking at the cover.

I truly believe that some executive at Capitol Records had been the one who came up with the rumor of Paul's death. What a sales gimmick! Maybe they should resurrect Paul's death after all these years, for his latest CD release. Well... maybe not.

Thank you Eddie for your wonderful story, making us think again, and learning more about those "loose ends" that we never pieced together!
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Great article Eddie. Really fascinating album all around besides the cover. Aargyle mentions all the "Paul is Dead" references which we've all heard. I really think, in my opinion anyway, that the scene is most definitely a funeral, per se or gravesight however I believe that The Beatles were saying a fond farewell to the Beatles as they were known the last few years with the moptops and head shaking hair and "bubblegum music" and touring. This was their way of letting their fans know "The Beatles are dead. Now get ready for The "New & Improved" Beatles...the Beatles the way WE want them to be". And when you consider that Sgt. Pepper was indeed the start of a whole new stage in their careers with new haircuts, facial hair, "mod" clothing, etc. and the biggest change being their style of music it all makes sense. Anyway...keep those Beatles posts coming. Thanks!!
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FIVE women? Then who's the drag queen? I counted six. And maybe seven if that's a woman in a blue hat right behind Sonny Liston.

Top left, 3rd in looks like Mae West.
Top right, left of 'fuzzy' Leo Gorcey looks like Joan Blondell.
Dead center is Marilyn Monroe.
Bottom right, Dietrich, Temple and Dors.

SIX
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No mention of the Paul is Dead conspiracy on this cover? (http://www.aboutthebeatles.com/paulisdeadclues_visual.php)

The whole album is a funeral scene. The headstone is the stone statue to the right of the drum. In front of that is a yellow floral display which, when looked at carefully, can be read as "paul?" or simply the letter "P" for "Paul." Note the younger Ringo is sad, as if he had lost a friend.
To the right of the stone statue is a statue of a girl who is looking down and to the right at a flaming car. This is "Lovely Rita the meter maid," who saw Paul's accident and the flaming car. The reason Paul was in the accident was because he was looking at "Lovely Rita".
Paul himself is seen with a hand over his head, which is an Eastern blessing for the deceased.
Paul holds a cor anglais, at the end of which is a small hook, representing the reaper's scythe.
The four-armed doll at the bottom of the cover points with one arm to Paul and is holding some sort of floral bouquet.
On the record version, the inside photo of the band shows Paul with a patch on his left arm which reads "O.P.D." or, "Officially Pronounced Dead." Other sources say that it stands for "Ontario Provincial Police," where William Campbell was an officer when he won the infamous look-alike contest
On the back cover of the record version, Paul is facing backwords, symbolizing his non-conformance with the living (being dead and all).
On the back cover of the record version, George points to the line, "Wednesday morning at five o'clock," the day and time of the accident.
The record sleeve for the first printing of the album came in psychedelic red colors, which looked like it had been soaked in blood. A picture of the sleeve is on the inside back cover of the CD version.
When a mirror is put up to the drum on the cover in the middle and horizontally, it reads, "1 ONE 1 X = HE DIE (arrow pointing to Paul)." The "1 ONE 1" refers to the three remaining Beatles; the "X" to Paul.
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Eddie, that was fascinating! So interesting to learn the motivation behind the choices made for that incredible cover. Cursed be George's left shoulder for blocking out my idol, Bette Davis!
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