Bob Rosinsky was asked to restore a tintype photograph from the 19th century. On his blog, he walks us through the process of how he did it. No, we don't watch him change every pixel, but you'll be surprised at the difference between a scanner image of the tintype and a photograph using an ultra-high resolution camera with a macro lens. Here, you see the before-and-after pictures. Link -via Boing Boing
Bob Rosinsky was asked to restore a tintype photograph from the 19th century. On his blog, he walks us through the process of how he did it. No, we don't watch him change every pixel, but you'll be surprised at the difference between a scanner image of the tintype and a photograph using an ultra-high resolution camera with a macro lens. Here, you see the before-and-after pictures. Link -via Boing Boing
Here is the link to the original scan:
https://lh5.googleusercontent.com/-f6D06qpPLJM/S3yScxV5AHI/AAAAAAAAKPg/T1gwee3L5oo/s800/Photo1_start.jpg
Here is the link to the "after photoshop magic"
https://lh6.googleusercontent.com/-hZPy3inw-Ts/S3ySes5_G0I/AAAAAAAAKPk/d4ltaDloOhY/s800/Photo1_finished.jpg
She was so happy she ended up making an 8x10 of it (the original I think was 4x4 and I scanned it in at 1200dpi) Like most here, in the end it comes down to preference, but I always keep the original untouched scan incase a client wants more done, such as colorizing, croping, or some other effect, etc.
The process was similar, I used photoshop 3.0 I think (have CS5 now and oh I wish I had updated sooner!) and a wacom tablet (an older one the intuos 9x12 grapire grey)
-david http://www.cluniephotography.com - My Photography Blog
The problem the restorer would have with an image like this is that there is absolutely no detail in the highlights. Indeed there seldom was with a tintype. The fact that the original image has faded and become darker gives the impression that there is detail there, but if you look closely there is none. As such I think the restoration is as good as you are going to get from that original.
One thing I have to explain often to people who think photoshop is the solution to their poor photographs is that you can't put in detail that wasn't there in the first place. In this case I doubt there was ever much detail in the highlights, but any that was there has disappeared over time. There was nothing that could be done about the missing detail in this photograph. The only incorrect choice that was made to my mind (and this is just personal taste) was not to tone the finished image slightly to maintain its vintage character.
Stunningly good advice. Every photographer should read this.