
Amusing Planet looks at two very different counterfeiters this month, with unusual stories that earned them notoriety and represent two ends of the spectrum. Both were unassuming immigrants from the former Austro-Hungarian empire. Over in this corner, we have Emerich Juettner, an elderly man who lived alone in a basement in New York City. He spent ten years passing fake bills and led the US Secret Service on the longest and most expensive counterfeit investigation in their history. He was no criminal mastermind. Juettner's bills were poorly manufactured, with inferior paper, hand-painted details, and sometimes even contained spelling errors. The reason he was able to evade the law for so long was because he only printed one dollar bills! People aren't in the habit of examining ones, so the fake money passed through many hands before they were noticed. After Juettner served his time, he made more money from a movie about his crimes than he ever did by counterfeiting.
On the other end of the spectrum we have Czesław Bojarski, who was not only a counterfeiter, but an artist. Bojarski fled to France during World War II and fought for the underground Polish army. He stayed in Paris after the war, and turned to counterfeiting to support his family. His work was exquisite, and very hard to detect. Bojarski specialized in the 100-franc Bonaparte note, shown above, and traveled far and wide to cover his tracks when passing them. Like Juettner, it took authorities more than a decade of investigation to find Bojarski, who was by then known as "the Cézanne of counterfeiters." Today, his counterfeit Bonaparte notes go for thousands of euros to collectors.
(Image credit: Banque de France)








