Fictitious Feasts

We Have Always Lived in The Castle (Shirley Jackson)

Photographer Charles Roux creates meals from literature in their proper setting for his project Fictitious Feasts. He began the project in 2014. Roux has posted about 50 images so far, and is collecting them for an eventual book. The meals range from the extravagant tea party in Alice in Wonderland to the meager gruel of Oliver Twist. Each meal is an elaborate construction.

Roux even makes all the food in the photos himself. To that end, he’s spent time learning new recipes, including Turkish delight for the Chronicles of Narnia and clam chowder for Moby-Dick. He also eats the food after the shoots—except for some cupcakes he made for his Alice’s Adventures in Wonderland shoot: They looked tasty but weren’t as good as expected.

“Doing things all on my own was part of my process because I like to work alone, and I think reading is very much an individual process. The project was all about me and how I felt about the books, about their metaphors and their atmosphere, so it just made sense to do everything on my own—the props, the recipes, the pictures,” he said.

Les Misérables (Victor Hugo)

See the series so far at Roux’s project page. -via Metafilter


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It's a real tribute to the artist's genius that this memorial is one of the most popular in the United States. though I do wonder if it's just a generational thing that will pass with time.

Either way, great article.
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Maya Lin has amazing vision. When I heard the controversy about the design, I thought it was going to be just another silly, avant garde public art installation that subtly mocked the war. Instead, it turned out to be most evocative memorial in the world.
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Foreign nationals who served with US forces in Vietnam are not included. Canadian Vietnam veterans who served with US forces (Canada did not participate)and were killed or missing in action, are memorialized at the Canadian Vietnam War memorial on the shores of the St. Clair River in Windsor, Ontario, directly across from Detroit.

I should note that it was American Vietnam veterans who recognized the gap and worked to see that their Canadian brothers were not forgotten.
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As a veteran, it is difficult to speak of The Wall without being gripped by emotion. The Wall serves as a portal to another place in time, a place where brothers at arms can remember and grieve, where women revisit the husbands or fathers they loved and lost, where children can be introduced to grandfathers they never knew. The black granite walls heal, teach and mourn but most of all they remember. Why is that so important? Veterans know a soldier is never truly dead until he is forgotten.
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