is visited by a strange but benign magical creature. Quite simply a
lovely animation by Adan Garcia who worked on this for over a year - a
real labor of love. And it shows.
This short animated film by Adan Garcia a graduate of The Art Institute of California - San Francisco, majoring in Media Arts and Animation. During his time there he gained extensive knowledge of art and the industry. This really shows in Milo's Journey - it is a really special film which is all the more wonderful because of its simplicity. Not a word is spoken throughout the film but it speaks volumes. Pythagoras said Do not say a little in many words but a great deal in a few. Or none as the case is here.
Link
From the Upcoming ueue, submitted by taliesyn30.
Here are my comments, purely from a layperson's perspective:
1. Seriously, why IS that creature dressed like Mario? I found it distracting and, Mario or not, the clothing didn't seem to fit the plot or actions of the character. Why does a flying space squirrel/spirit guide wear overalls and puffy gloves?
2. While I loved the space scenery, I also thought it seemed to clash with the storyline. I would expect the dream of a little boy to be less scientific and more fanciful, with crazy planets and like, space whales or something. Moreover, Milo's helmet was a cute touch (ha ha, upside down wire hanger), but I immediately thought: why does a kid recovering from burns and psychological trauma, in a hospital, have a cardboard space helmet? It didn't seem authentic.
To me, this animation seems to have melded two different stories/moods that are not fully compatible: A. grieving boy goes on a melancholy, magical journey and B. awesome, inspiring, and realistic tour of our galaxy. Both ideas are cool, but it was hard for me to accept that they could both work together.
I hope that you continue making new animations and posting them. I enjoyed watching!
Yeah i started this project in august of 2009. It didnt take very long to model everything. the thing that took months was rigging the characters. Everyone i hired sucked really bad and produced a horrible rig for the 2 characters. I got lucky and found a great person so animation actually started in December and ended in April. I edited and added music as i finished scenes. Rendering the scenes also took forever. It took 15 hours to render a scene that was 15sec's long. I could only render one scene every day and a half. So yeah this project is very dear to me and im so happy it turned out the way it did, considering its my first ever animation :D
adan
Thanks for your 2 cents hahaha. The only reason why some of the scenes seem really slow is because i didn slow them down but only because i wanted the scenes to fit the music. Now that Nicky Bendix is composing an original score i can go back and make those scenes faster. Oh and i am in no way trying to be religious, i do believe in God but i am not trying to throw it in peoples faces. I just wanted to tell a story about a little kid to lost his parents and then reunites with them in heaven. I pretty much HAD to use the white light and the angel(the little creature) to guide him. I fucking love Evangelion. I just watched Eva 2.22. Great stuff.
Ok my 2 centz worth.
-well done on the tech skillz. How did you do this for someone who wants to follow you?
-some parts dragged eg the eye blinkz, the general 'slowness of the movements' etc but you are the artist
-I agree with the 'white light' aspect being overtly religous and thus upsets us non-believers of the invisible friend clans.
-I loovvveeee NGE but they handle religion as 'alien presence fact' and 'super mind', the relationship to atcual religion is in passing. I much prefer how 'things' are handled in 'My Neighbor Totoro'.
-have you seen this http://www.empsfm.org/programs/index.asp?categoryID=216
-you say a 'year'. How many 'person hours'?
Last but not least, keep it up. Wish I could do it.