Mathematician Michael S. Schneider saw a wave form of the well-known drum sequence known as the Amen Break. It’s a drum 5.2 second sequence performed by Gregory Cylvester Coleman of The Winstons and has been sampled and used by countless artists since it was recorded in the 60s. Schneider, seeing the waveform through the eyes of a math professor, recognized a pattern, a relationship called the Golden Ratio. So he began to analyze the drum sequence and its deeper meaning.
For more exact visual analysis I examined the wave image in my computer, in which I have a palatte of geometric forms and proportions for quickly identifying an object's ratios. Sure enough, Golden Ratio relationships were indicated among the different peaks. Am I seeing things? You decide. But the appearance of the Golden Ratio may help explain its popularity.
To appreciate this relationship between the Golden Ratio and sound, it's worthwhile to consider some of the ideal, eternal, unchanging principles of Golden relationships which can only be approximated in nature, and byartists, architects and musicians.
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Comments (15)
http://www.youtube.com/watch?v=5SaFTm2bcac
http://www.youtube.com/watch?v=5SaFTm2bcac
http://www.nkhstudio.com/pages/amen_mp4.html
Poeme electronique by Edgard Varese is reported to have been organized similarly (it was performed inside the Philips Pavilion, designed by Le Corbusier, who is well known to have made use of the GM/GS in his architecture).
It works well for musicians as it is not in the "normal" 1/2 or 1/3 proportion that most metrical music is written in.
What does it mean? That she's not good at funk music?
it's all BS.
its a wing of the pythagorean 'harmony of the spheres' school of musicology and its numerous descendants (which 99% of the world's music has nothing to do with - can somebody supply some golden section/non golden section statistics for the worlds music please?)
http://www.youtube.com/watch?v=5SaFTm2bcac
http://www.youtube.com/watch?v=5SaFTm2bcac